LINK TO 2003 SEATTLE JEWISH FILM FESTIVAL!
or the AJC Home page:WWW.AJCSEATTLE.ORG
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March 10 - 18, 2001 |
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Seattle
Jewish Film Festival
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| Saturday, March 10 | |
| Opening Night Gala | |
| 7:30 pm | Obsessed With Jews, All My Loved Ones |
| Obsessed With Jews (West Coast Premiere, USA 2000, 8 min, video; Jeff Krulik, Director)—Jeff Krulik is a brilliant chronicler of the odd side of American culture. Here, he introduces us to accountant Neil Keller, who has amassed a remarkable collection of over 7000 trading cards, photographs, matchbook covers, pins and autographs of prominent Jewish people. Neil shows us his collection, and tells how he methodically catalogs the accomplishments, and documents the genealogy, of every famous, and infamous, Jew on Earth. Special Guests: Tiferet | |
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All
My Loved Ones
(Northwest Premiere; Czechoslovakia 2000, 93 min, 35mm; Czech w/
subtitles; Matej Minac, Director)—Home
and family are everything to small-town doctor Jacob Silberstein. But as life becomes harder for Jews, Jacob and his wife must
decide whether to keep the family together or to send their only son to England.
A loving tribute to the ties that bind, this emotionally-charged feature
was inspired by recollections of the director’s mother, one of hundreds of
Czech Jewish children saved by a Kindertransport organized by English
stockbroker Nicholas Winton. |
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| Sunday, March 11 | |
| 12:00 pm | Arguing the World |
| (USA,
1997, 107 min, 16mm; Joseph Dorman, Director)— A portrait of four
prominent Jewish intellectuals -- Irving Howe, Irving Kristol, Daniel Bell
and Nathan Glazer – all of who attended City College in the 1930s.
Weaving personal reminiscence, archival footage, images of New
York, and interviews with friends, critics, and historians, the film
explores the passions, the issues, and the era that helped shape
intellectual and political life in America. |
|
| 2:00 pm | Dreams
and Nightmares |
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(USA, 1974, 54 min, 16mm; Abe
Osheroff, Director)—Brooklyn-born carpenter Abe Osheroff, now of Seattle, was
wounded while fighting the fascists during the Spanish Civil War.
He was a member of the International Brigade, whose ranks were over
twenty-five percent Jewish,
with Yiddish as the common language. Some
35 years later he returns with a camera to Spain, still under Franco’s rule,
in search of validation of his youthful passion. |
|
| 4:00 pm | The
Life of the Jews in Palestine |
|
(Northwest Premiere; Russia,
1913, 80 min, 35mm; silent w/English titles; Noah Sokolovsky,
Director)—“Tears of happiness gleamed in the eyes of Jewish audiences,
thirsty for redemption,” said film exhibitor Yaacov Davidson, when The Life of
the Jews in Palestine was first shown in European ghettos and market towns in
1913. The film depicts Middle
Eastern and European Jews tilling fields, building schools, and laboring side by
side to build the nation that would become Israel.
This newly rediscovered and restored film, shot by Russian documentarian
and active Zionist Noah Sokolovsky, is a striking document of political and
cinema history, a call for the Jews of the Diaspora to make aliya and join their
brethren living, working, and praying in the land of milk and honey. Musical accompaniment by Lori Goldston, Kyle Hanson and Don Crevie of the Black Cat Orchestra. This screening is part of our Days and Nights of Music. Special Guest: Chaya Blaut, Teacher of Jewish History at Northwest
Yeshiva High School |
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| 7:30 pm | Sunshine |
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| Monday, March 12 | |
| 7:00 pm | Voyages
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| (Northwest
Premiere; France, 1999, 111 min, 35mm; French w/ subtitles; Emmanuel
Finkiel, Director) A triptych
of fictional stories exploring the lingering effects of loss, and the
urgency of living in the here and now.
A Parisian widow receives a call from a man claiming to be her
long-lost father. A newly arrived 85 year-old Russian immigrant wanders
the streets of Tel Aviv looking for a distant cousin. A woman on a bus
tour of Poland is left behind at a Jewish cemetery. An outstanding film
from an important new voice in world cinema. |
|
| 9:00 pm | Shorts
Program: Village
of Idiots, Obsessed With Jews, Babcha and Pleasures of Urban Decay |
| Village of Idiots | |
|
(Canada, 1999, 13 min, video;
Eugene Fedorenko and Rose Newlove, Directors) Based on a familiar Jewish
folktale, the charmingly animated story of a Shmendrik, who leaves his village
of Chelm in search of something better and discovers another village exactly
like his own. |
|
| Obsessed With Jews | |
|
(West Coast Premiere, USA
2000, 8 min, video; Jeff Krulik, Director)—Jeff Krulik is a brilliant
chronicler of the odd side of American culture. Here, he introduces us to accountant Neil Keller, who has
amassed a remarkable collection of over 7000 trading cards, photographs,
matchbook covers, pins and autographs of prominent Jewish people. Neil shows us
his collection, and tells how he methodically catalogs the accomplishments, and
documents the genealogy, of every famous, and infamous, Jew on Earth. |
|
| Babcha | |
| (Northwest Premiere; Israel, 1999, 24 min, 16mm; Hebrew w/ subtitles; Micky Zilbershtein, Director)—Dror, a hip Israeli, “oldie-sits” his grandmother, a camp Survivor. With the help of a motorcycle, a trip to the beach and much black humor, they both try to cope with the past, and prepare for the future. | |
| Pleasures of Urban Decay | |
|
(Northwest Premiere;
Canada/USA, 1999, 18 min, 16mm; Sam Ball, Director) An offbeat film about
MacArthur Award recipient Ben Katchor, the creator of the great comic strip Julius
Knipl, Real Estate Photographer. Katchor’s Yiddish-inflected voice guides
us through a vast and shadowy landscape of old skyscrapers, neglected warehouses
and all-night cafeterias, peering behind the city’s facades and through its
cracks, turning New York’s everyday trappings into urban poetry. |
|
| Trailers | |
|
(U.S.
Premiere USA 2000
3 min, video Jeff Krulik,
Director)
Two very funny trailers that Krulik created for another Jewish film
festival. They were rejected, and we are pleased to present them here. |
|
| Tuesday, March 13 | |
| 7:00 pm | Sister/Wife |
|
(US Premiere; Israel, 2000,
60 min, video; English/Hebrew w/subtitles)--In the outskirts of Dimona lives
another society, composed of African-Americans who believe they are descendants
of one of the lost tribes of Israel. The film follows the story of Zipora, a
religious and loving woman, who after 21 years of marriage, wakes up one morning
to a new reality. According to the customs of the Hebrew Israelites, who adopted
their version of the Law of the Torah, a man can marry up to seven women. Her
husband, Hazriel, is about to take a second wife who is 14 years younger than
she. Both will have to live under the same roof and share the same man.
A stunning, heart-rending film. |
|
| 9:00 pm | Genesis |
|
(France/Mali, 1998, 100 min,
35mm; Bambara w subtitles; Cheick Oumar Sissoko, Director)
The breathtakingly beautiful desert plains of Mali provide the setting
for this unusual African epic, a deeply poetic rendering of the story of Jacob
and Esau. The dense, unusual narrative combines the drama and gravity of Greek
theater with the liveliness of African storytelling, making Genesis
both a gripping retelling of Biblical events and a profound parable for the
fratricidal strife that has ravaged so many parts of the world. Starring the
great African stage actor Sotigui Kouyate as Jacob and the world-famous Malian
singer Salif Keita as his brother Esau. |
|
| Special
Screening at the Seattle Art Museum |
|
| 7:30 pm | The Engagement Party |
|
(USA,
2000, 88 mins, DV; William Azaroff, Director) Bring in 'da goys! Bring in 'da Jews! A prematurely-planned engagement party tests the love, faith and patience of a young couple. Can the betrothed-to-be withstand neurotic parental pressures, traditional religious values and unorthodox family secrets? Or, will their marriage be shattered before the first glass has been stomped? |
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The
Engagement Party will
be screened at the Seattle Art Museum as part of TheWarrenReport's DISTINGUISHING FEATURES series, which
presents regionally produced feature-length films every month at the Seattle Art
Museum. Each showing is followed by a discussion between the movie's makers and
the audience, moderated by Warren Etheredge. |
|
| Wednesday, March 14 | |
| 2:00 pm |
Free-for-Seniors Matinee |
|
Shorts Program: Pleasures
of Urban Decay, Madame Jacques Sur La Croisette and Mah-Jongg – The Tiles That
Bind |
|
| Pleasures of Urban Decay | |
| (Northwest
Premiere; Canada/USA, 1999, 18 min, 16mm; Sam Ball, Director) An offbeat
film about MacArthur Award recipient Ben Katchor, the creator of the great
comic strip Julius Knipl, Real Estate Photographer. Katchor’s
Yiddish-inflected voice guides us through a vast and shadowy landscape of
old skyscrapers, neglected warehouses and all-night cafeterias, peering
behind the city’s facades and through its cracks, turning New York’s
everyday trappings into urban poetry. |
|
| Madame Jacques Sur La Croisette | |
| (Northwest
Premiere; France, 1995, 37 min, video; French w/ subtitles; Emmanuel
Finkiel, Director)-- Every Spring, a group of elderly, Yiddish speaking
French Jews gather in Cannes to reminisce. Breaking away from the group
and its monotonous rhythm, widower Maurice pursues Madame Jacques.
Overcoming their differences and the gossip of their friends, Maurice and
Madame Jacques come together. This is the first film from Emmanuel Finkiel,
director of Voyages. |
|
| Mah-Jongg – The Tiles That Bind | |
| (Seattle Premiere; USA, 1998, 31 min, video; Bari Pearlman, Phyllis Heller, Directors)--With mah-jongg, two seemingly unrelated cultures in America--Chinese and Jewish--converge. Mah-jongg has been played in Asia since the time of Confucius. In the early 1920s an English language version was imported to the United States and quickly picked up by urban Jewish women, who learned it from friends and relatives in immigrant neighborhoods. For the women who play, the game provides a constant source of amusement as well as a unique support network for life, love and loss. | |
| 7:00 pm | Homo Sapiens 1900 |
|
(Sweden, 1999, 85 min, 35mm;
Peter Cohen, Director)—A deliberately paced, devastatingly effective telling
of the rise and fall of the Eugenics movement, the “science” of improving
the human race by selective breeding. Eugenics
found enthusiastic support in the US, where by 1907 over 20 states had enacted
compulsory sterilization laws; in Sweden, which integrated the ideology into the
social policies of a welfare state; in communist Russia, where eugenics
theorists were first celebrated and then brutally silenced; and finally in Nazi
Germany, which made “racial hygiene” a crucial part of its agenda.
With today’s rise of genetic technology already resurrecting many of
the principles underlying the Eugenics movement, this is a must-see film. Special Guests: Dr. Marshall Horwitz, Associate Professor, Division of Medical Genetics, University of Washington School of Medicine; Phillip Thurtle, School of Communications, UW; Professor Maynard V. Olson, Genome Center and Medicine, UW; Professor Emeritus Arno G. Motulsky, Medicine and Genetics, UW |
|
| 9:30 pm | Evgueni Khaldei: Photographer under Stalin |
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| Thursday, March 15 | |
| 7:00 pm | Cours Toujours (Dad on the Run) |
|
(Northwest Premiere; France,
2000, 92 min, 35mm; Dante Desarthe, Director) Set against the backdrop of the
Pope's August 1997 visit to Paris, when tens of thousands of Catholic youth were
mobilized, this screwball comedy rises to the level of religious allegory. Jonas
and Paco are best friends and
professional Bar-Mitzvah entertainers. Paco, a volatile young man off-stage,
croons in an outrageously romantic style, as if trying to seduce every woman in
the audience while Jonas, more reserved, and in love with one woman, plays
keyboards. After the birth of his first child, Jonas' stable world plunges into
chaos. Because their family is of mixed Sephardic and Ashkenazi heritage, he and
Julie are unsure of which ritual to observe for their son's circumcision.
Finally, they decide to follow a North African custom and, three days after the
bris, Jonas must bury the foreskin. Exhausted from a grueling Bar-Mitzvah
performance, Jonas loses the precious bit of flesh in an attempt to bury it in a
construction zone, and goes off on a wild chase through the city. |
|
| 9:00 pm | Last Resort |
|
(West
Coast Premiere; Israel, 1999, 93 min, 35mm; Hebrew w/ subtitles; Aner
Preminger, Director)—A psychologically gripping feature from renowned
Israeli director Aner Preminger. The year is 1993.
As the Oslo agreement is being signed in Washington, Noam Wax
gathers six former members of the Nahal Settlement—the Israeli Army’s
communal living experiment—on Mount Hazon in the lower Galilee. His purpose is to complete a documentary film about the
settlement that will help him overcome the trauma and scars left over from
those days. Their night
together turns into a moral stocktaking that reflects the road Israel
traveled in the decade between the Lebanon war and the Oslo agreement. |
|
| Friday, March 16 | |
| No Screenings | |
| Saturday, March 17 | |
| 7:00 pm | The Optimists |
| (US
Premiere; USA, 2001, 84 min, 16mm; Jacky Comforty, Director)— The
largely unknown story of how Bulgarian Christians and Muslims helped save
50,000 Bulgarian Jews during the Holocaust despite their government's
collaboration with the Nazis. Shot in Israel and Europe, the footage
includes oral histories from witnesses and survivors; unique archival film
footage from newly-opened Bulgarian archives; and rare photos of Bulgarian
Jewish life before and during WWII. A
fascinating story of the best and worst sides of human nature, narrated by
director Jacky Comforty, whose family was among those saved. Special Guest: Jacky Comforty, Filmmaker This screening is part of our Days and Nights of Music. |
|
| 9:00 pm | Fighter |
| (Northwest
Premiere; USA, 2000, 90 min, 35mm; English and Czech w/ subtitles; Amir
Bar-Lev, Director)--Two Czech-born survivors of World War II, Arnost
Lustig and Jan Wiener, are inspired by their post-war friendship to return
to Europe, retracing their lives during and after the war. An
unforgettable road trip, Fighter delivers a complex and fascinating
portrait of the cathartic and destructive powers of memory, and of an
unlikely friendship brought to the brink of collapse. |
|
| Sunday,
March 18
– Closing Day |
|
| 10:00 am | |
| 10:30 am | Jews and Buddism: Belief Amended, Faith Revealed, and Seder Trek |
| 10:30 am | Jews and Buddism: Belief Amended, Faith Revealed |
| (Seattle Premiere;
USA, 1999, 41 min, video; Bill Chayes, Isaac Solotaroff, Directors)This
illuminating and uplifting film examines the similarities and differences
of Judaism and Buddhism and the surging interest in Buddhism by American
Jews. Narrated by Sharon
Stone, the film includes footage of a fascinating meeting between the
Dalai Lama and various Jewish scholars, and a dialogue between the Burmese
Prime Minister and the first Prime Minister of Israel, David Ben Gurion. Special Guest: Filmmaker Bill Chayes |
|
| Seder Trek | |
|
(West Coast Premiere;
Israel/Nepal, 1999, 56 min, video; English/Hebrew w/ subtitles; Shachar Zefania,
Director Set primarily in Nepal, Seder Trek bobs back and forth between two stories.
One concerns director Zefania’s trek to Gokio Peak, in the Mount
Everest region of the Himalayas; the other focuses on the inspiration and
preparations behind “the largest seder in the world,” in Katmandu.
A sweet story of communion and adventure, and a cinematic plea for the
end of hostility between religious and secular Jews in Israel. |
|
|
12:30
|
Jazzman from the Gulag, Lieba Perla |
|
Jazzman
from the Gulag |
|
|
(Northwest Premiere;
France/Netherlands, 1999, 58 min, video; English/Russian w/ subtitles;
Pierre-Henry Salfati, Director) As a jazz trumpeter, Eddie Rosner was
world-class, earning comparison even to Louis Armstrong.
As a Polish Jew born in Berlin, however, Rosner was continually on the
wrong side of history. A member of
the Weintraub Syncopators, he fled the Nazis only to run afoul of Stalinism, and
later spent years in Siberia as a suspected American spy--surviving only because
of his awesome talent. French director Pierre-Henry Salfati and Russian writer
Natalya Sazonova movingly chronicle an extraordinary man who over and over again
lost virtually everything—except for his deep love of jazz. Live Jazz at Cinerama with Trumpeter Jim Knodle and Bassist Jon Sampson. This screening is part of our Days and Nights of Music. |
|
| Lieba Perla | |
|
(Seattle
Premiere; Israel, 2000, 55 min, video)-- During the Nazi regime, Dr. Josef
Mengele conducted "scientific" experiments on and shot
"research" footage of a Hungarian Jewish family of dwarfs. Fifty
years later, Hannelore Witkofski, a "short-statured" woman born
in post-war Germany, befriends the only surviving family member, Perla, an
actress, now living in Israel. Perla asks Hannelore to search Germany for
a lost film in which Mengele displays her entire family naked. Hannelore
reports back to Perla on her search, calling and writing from Auschwitz,
the Max Planck Institute, and the home of one of Mengele's photographers.
An astounding, intimate, loving story of past horror and present-day
renewal. |
|
| 3:00 pm | Film and Memory |
| Special Guests: Filmmakers Peter Forgacs, Joan Stein, Jacky Comforty; Miriam Greenbaum…Moderated by Regina Hackett, Senior Art Critic, Seattle Post-Intelligencer | |
| 3:00 pm |
The
March, One Day Crossing, Maelstrom – A Family Chronicle |
| The March | |
| (Seattle
Premiere; USA, 1999, 24 min, 16mm; Abraham Ravett, Director)-- Utilizing a
series of conversations conducted over a 13-year period, influential
experimental filmmaker Abraham Ravett details his mother's recollections
of the 1945 Death March, when the SS hastily liquidated Auschwitz as
Soviet troops drew near. |
|
| One Day Crossing | |
| (Northwest Premiere; USA/Hungary, 2000, 25 min, 16mm; Hungarian w/ subtitles; Joan Stein, Director) A young Jewish mother poses as a Christian to protect her son from the Arrow Cross, the Hungarian fascists. An intense black-and-white short about the struggle to maintain identity and extend compassion in times of oppression and horror. | |
| Maelstrom – A Family Chronicle Special Guests include: Filmmaker Peter Forgacs | |
| (West
Coast Premiere; Netherlands, 1998, 60 min, video; Peter Forgacs,
Director)— A pioneer in the use of “found footage,” the brilliant
Hungarian director Peter Forgacs chronicles the lives of the Dutch Jewish
Peereboom family during the period 1933 to 1942, using the family’s own
home movies, along with segments filmed by the family of the Nazi governor
of Holland. The irony created by the juxtaposition of the two families,
and our knowledge of subsequent events, turn these innocent images of the
Peereboom family--at the beach, getting married, having children, growing
up--into something particularly bitter-sweet. Our feeling of helplessness
grows into a suppressed scream as the final images appear on screen: this
nice Jewish family is preparing clothes for the journey to the "labor
camps" in Germany. |
|
| 7:30 |
Les Fantômes de Louba |
|
(West Coast Premiere; France, 2000, 104 min, 35mm; French w/ subtitles; Martine Dugowson, Director)— Director Martine Dugowson (Mina Tannenbaum, SJFF ’96) returns with a complex drama about a young Jewish woman whose every relationship is haunted by the past. Embroiled in a dangerous game of mistaken identity and deceit, Louba (portrayed by Elsa Zylberstein in a stunning performance) struggles to make a meaningful connection in what she sees as a world of betrayal. Both an edge-of-your-seat thriller and a profound meditation on the relationship of the individual to society, Les Fantomes is a triumph. |
|
Schedule Subject to change without
notice. All
screenings except "The Engagement Party" at Cinerama,
located at 4th and Blanchard in downtown Seattle. We will be
regularly updating this schedule with information about special guest speakers
and community sponsors, so please check back with us.
We are no longer taking submissions for this year's festival.
© 2005 AJC of Greater Seattle
- All Rights Reserved
1402 Third Avenue, Suite 1415, Seattle WA 98101
box office 206-325-6500 ph 206-622-6315 fx 206-622-3015